Jimmy Olsen's Blues.
Portishead keeps showing up in the shuffle and then I fall back into some momentary state of being nineteen. I wouldn't say I turn into an emo monster, but there's a definite emotional context going on.
Dinner last night was at Dan's place, we all had sandwiches on those crusty Portuguese buns (which led to bad jokes being made, certainly, but not by me for once). There was turkey for the full-scale meat-eaters and there was lox for me. Which was good, certainly, though rife -- I have a convoluted relationship with lox. I like the taste a lot but the texture is very difficult to achieve correctly, and it occasionally develops a certain entrail-like quality. This was decent, though. And Dan made this pear and peppers reduction to go on top, with nectarine in the salad. I just skipped having "salad" and shoved it all the bun, with brie and white cheddar and mustard and too many conjunctions.
Truly, I am the Victor Frankenstein of sandwiches. I should host a show on the Food Network and then I could attend celebrity functions, flirting endlessly with Nigella Lawson as we discuss the merits of poached peaches with mint julip sauce and I slap waiters for bringing over poorly mixed drinks that use Tanqueray rather than Bombay Sapphire. Can you imagine? Can you actually imagine? The title of my television show would probably be a painful pun but people would buy my cookbooks on account of them having sinful pictures inside, and then I'd end up on the same crash-course bender to stardom that claimed Jamie Oliver and people having Wednesday supper clubs might consult my recipes via the website. They'd have a lot of difficulty timing food preparation correctly.
I didn't write anything from about Saturday until Wednesday. I could have actually shat upon the page and felt more productive than I was. Mostly I moped around and was overly sensitive to things and failed. Failure. Big dumb. I watched Barbarella and marvelled at how weirdly, stupidly, B-movieishly good it is. I tracked down the trailer for the new bloody Wes Anderson movie, Darjeeling Limited, which opens at the end of the month and I'm already in the theatre, in my head, watching endless coming attractions and waiting for it to start. But otherwise, I was in a funk with the not-writing.
You remember the Fear. Shitty houseguest, likes to remind you of your failures.
And it was Wednesday morning and I couldn't have a shower because some guy was doing constructive things to the Margaret Atwood Boarding House's bathroom, which was unexpected and why on earth do you have someone come over to fix things in the bathroom during the morning? It was my day off so I mostly just sat around in my underwear and scrounged for food. I think there was tuna fish sandwiches -- see, see -- but I put too much cayenne pepper in and not enough mayonnaise. Eventually the guy in the bathroom took off, but left his tools, so I suppose he went off to grab a bit to eat. I showered furtively, shaved, and then managed to linger delicately around the apartment for even longer, until round about 1:30 when I decided it was all for nothing.
So I went to a coffee shop. I went to Dolce Vita and sat there for three hours, drinking freshly made iced tea and scribbling in the rantbook. With terrible posture, hunched forward. My wrists ached a bit. A gaggle of middle-aged people with questionable colour sense (Do I have to fucking dress you people myself?) sat around gibbering about giving conflict resolution seminars and how the idea of the "corporate retreat" was backwards, because that's what the army who isn't winning does, how they should be "corporate advances" (I know! It was about fifty times funnier when Georgia made roughly the same joke on Dead Like Me, what with Ellen J. Muth having a better sense of comic timing and the writers being able to string words together convincingly) -- and they said it straight-faced, totally serious, utterly drunk on their own linguistic castration. I soaked in that noise while I wrote.
Then I came home and spent two hours transcribing ten pages' worth of text onto the computer. It was the beginning of a new draft of "Hotel Detective," and I ripped off Carol Shields in terms of structure for the opening sequence of the story, but I was quite pleased with the product. Not perfect, but certainly reaching in that direction.
Then I went to dinner and managed to say things that were funny but modestly biting, as I do, because I honestly open up my mouth and sometimes fail to notice people have feelings. Because it's funny.
Then I took the Accomplice home and we passed out for too long.
Scribbled two more pages - opening to a fresh second scene. Don't know where it's going in terms of the rest of the story, it's a shift of the point-of-view, but the prose was loose and I'm going to bop over to the coffee shop again tomorrow morning before I'm expected to go to work (or not go to work, or go to work but walk out, or whatever they decide to do with the job action thing) and I'm going to scribble at least three more pages of the scene.