The updates keep coming today, as I waver in and out of something called a homework miasma with my head full to the brim with paperweights made out of expensive glasses but really, they're still just paperweights making my brain feel heavy and my eyes twitch. I've booked the week off work because I'm steadily on the track to mucky mucus-land with its capacity to induce delirious screams of terror in Joy, but pretty much everyone I've talked to is getting sick with something. Except Michelle because she's on antibiotics for that nasty cut, enough to seal her hermetically from the woes of the Bacterial Culture. Truly, she's a member of the Germ Free Generation. Shrieking. I don't want to go into to work for fear of pushing myself into getting even worse or spreading the infection to all those older ladies that work there and seem terrified of getting sick in any context.
Where was I going?
Bill Gaston's Novel Techniques class, hip-deep in Patchett's Bel Canto and the crowds of adoring men scraping at Roxanne Cross the amazing opera diva and professing their love and blah-blah-blah. The rest of the book is nice but what the hell? Shut the hell up, willis. I have to do the journal assignments before I collapse into dust clouds of Ben-particles later. Ben as particulate matter, a viper mist seeping into your pores and orifices and settling at the base of your lungs, piling up into heaps of dust.
Ended up on the bus with my cousin Sheena, whose father is dying in the hospital up in Prince George. He's her estranged father, and he went up to see him again, she hadn't been to P.G. in nine years and he's gaunt and jaundiced and all the rest. Now she's in pieces, broken up and incapable of dealing whenever she's alone. She's going to see a counsellor soon, if she can get scheduling conflicts ironed out. It feels like everybody's in distress of some kind. We're going to meet up for lunch next weekend.
Time seems to be moving faster, but they tell me that's a byproduct of getting older--
Comments (4)
I know what you mean re: Patchett. It sort of drags and it's impossible to hold interest in so many people, especially when someone like me doesn't like people in the first place; especially rich people who come from blasé oppulent lifestyles that are just so damned interesting because of the fucking status associated with looking down on people who lick your fine, fine booties.
Posted by matt | September 22, 2004 2:00 PM
Posted on September 22, 2004 14:00
But, there are moments when it feels like a commentary on that; at one point, Gen the translator realizes that he's one of the two "hostages" who have somehow ended up with jobs in the situation. He translates for everyone and then there's the poor priest. They're the underclass, and occupy a weird position between the terrorists who are meant to be lower class and the opulent party goers. I think it just depends on you keeping that in your head while you force your way through the poor little rich people sections.
Posted by ben | September 22, 2004 2:40 PM
Posted on September 22, 2004 14:40
Yes, the moments with Gen were very good. He was definitely the most intriguing character. Unfortunately, the only moment I enjoyed with the priest was when he was so excited to order some sheet music over the phone. And he pictured himself with his other priest friend in a kitchen, gloating guiltily over it all.
Posted by matt | September 23, 2004 8:33 AM
Posted on September 23, 2004 08:33
I think my favourite Gen moment so far was the description of him laying all kinds of books all over the floor and reading them at random, different languages and different translations. It was an interesting thing to equate to sexual courtship, his shifting between languages.
Posted by ben | September 23, 2004 1:23 PM
Posted on September 23, 2004 13:23