And we brace ourselves and hold our hands and fight
Sometimes writing is painful -- not because the subject matter is painful, but because the act of writing is also an act of fighting with one's self, trying to figure out what's good enough to keep, what needs to be scrapped. Academic writing can be disheartening (have I covered all my research bases? Have I made my background clear? Is the writing any good at all?), but poetry can be scrappingly awful to write. As a teenager and younger adult, I wrote compulsively, but most of it was bad -- a few lines here and there are all I've kept from those years, and about 6 good poems from 2003-2005. But at least all that writing went somewhere; even a few good lines are better than nothing at all.
When I get into it, I do enjoy writing of almost any kind. The dissertation is, after all, about one of my favourite fields -- Victorian lit -- and as more pages fill up in my black journal, I am relieved and comforted. The hardest part is learning what I'm writing as I'm writing, because at the outset, it's not often clear.
I used to try to write lyrics for songs, but I was never happy with the end product. I tried writing the music first (often just fiddling around on the piano and working by memory rather than writing actual notation); years ago everything I came up with sounded like old country, probably because that's what I grew up hearing, and I hated it. Today I would be relieved if I could come up with something rough, with enough pared-down notes to get the point across without seeming trite. I hit a stride a couple years ago with four academic papers I was very proud of -- not because they were the best, most polished pieces produced, but because the writing was fluid and simple, the kind of writing that gives just enough but doesn't give it all away. That iceberg writing that Hemingway was so good at. Writing that fights against excess.