April 18, 2006

this is no modern romance

Check your rearview mirror for adequate levels of gossip, non-residential properties, books you meant to open a week ago--slow starts. Drinkwater road, coldsore mistaken for lip cancer, Hornal just ahead. Front street. Work is people telling me about the snow melting before their eyes on the other side of the window they're sitting in front of. On the other end of the line, the Red Lion's receptionist puts me on hold by pressing the phone against her breast and it's like I'm in a creaking boat, listening in through the hull, the receiver's mouthpiece crackling friction against her mohair. I’m under the gun; I spend some time guessing their fabrics in a giant swell, tide moving out--maybe it's lambswool. I want to tell her I lost my virginity to a sailor with blond curls and later he came to visit me here and we fucked in her hotel and three days later it burned down but I don't say anything because everyone knows it was just a biker gang that had lighters and got angry and I would get in shit besides and I got in shit not two shifts ago for not sounding peppy enough on the phone--You know. You have to sound . . .UP. Well, I usually do, but now you're trying to get me to coerce people into talking about their mortgages and credit unions at nine in the evening. It's really not fun for anyone. I don't like the ones that like what I'm saying. I don't like the ones that find it fun. Creep me right out. I come home early because I’m speaking the script with my eyes closed, only prying my lids to see if I got the scale number just mentioned right each time. I explain to the respondents on the other end of the line that some of the questions strictly pertain to methodology, have nothing to do with their particular property. They have trouble understanding this, as they've just rated five statements that did concern their properties. Meanwhile, Jaxon moves around the space, talking to himself with me in it. He vocalizes every perception like a bingo caller on his last shift at the hall--waiting for someone to call a winner between his shuffles, the chocolate in his noodles, I’ll have to do this again. It’s cheap, but I’ll have to do this again. I interrupt with phrases that have nothing to do with the conversation he’s having with himself. One of us is uncouth here. A5, you say? Bingo. I walk from room to room with piles of clothes and he barely makes it through the speech he’s giving the dragon collection on his shelf. Breaking some contract of admiration with their scales, dead-man nostrils arranged and still, scanning places for flames. He works out the twist in his next chain clasp through mumbles not quite directed at any particular object. To me he says And what do you think of the clasp on this chain, if you don’t mind my asking? I answer him. Apparently, I don't mind him asking. It works, I say. It works. One of us is being too neutral. I walk into the bedroom and close the door. He’s now talking to the TV commercials. It’s fairly close to a two-sided conversation, with medium, though no particular message. OK. Two-sided--I give him that much, as I drone him out with my nose in modern fiction. In the bedroom, I’m happy. I’m happy enough that I spoon black current jam straight from the jar, only understanding what I’m reading. Everything else sounds from the next room, his voice the subtle squeak of heels slipping in the shower, indoor light twelve feet above my head. I think something in this will make me forget my laundry. Something in this will make me forget my laundry and I’m on the second load. I’m thinking about all the coat hangers I’ll have to buy in two weeks. I picked up (re, stole) the paper today, made a shortlist of places to call in the morning. I have no time and space to write because he plays video games for sixteen hours a day or more in the room I usually write in. He doesn't tell me how long he's been playing unless I ask. And it pains me to ask. Anyway, I can't write: the biggest factor motivating me to seriously start looking for another location. I spent a part of this weekend snorting coke while listening to classical music spin under a record's needle. I never foresaw my life coming together so well. Sure, stand your ground, keep standing your ground. But just try and find a trace of sarcasm in anything I’ve said. A fine line, hot under the collar.

Posted by caroline at April 18, 2006 3:03 AM
Comments

Ah girly. Push. Push and it'll all jnagle and clank into the right position for the next phase of things.

Miss you,
Xavier

Posted by: Xavier at April 18, 2006 5:48 AM

I liked the bit about black currant jam.

Not writing? This is writing. This is a fucking Lorrie Moore short story. I hate you.

Posted by: joy at April 18, 2006 8:48 AM

Ahh, modern marriage. Because that's what you are describing.

Posted by: Edmorus at April 18, 2006 9:11 AM

Phonetically:

tee yes tesh taka pee enk na je nee a mogee zich bess cheb yay.

Whoa!

M.

Posted by: mathew at April 19, 2006 6:15 PM

That proves it - drugs and classical DO go together. Would you like some crack with your Saint-Saens? Imagine if the nighttime undesirables got into classical. They'd have to start playing... I dunno... any ideas?

Posted by: Chris at April 21, 2006 11:20 AM

I have to share this sentence by Clausewitz I just read that gets my geekly vote for best sentence ever:

"When, on the one hand, we see how military action seems so very simple, when we hear and read how the greatest commanders speak about it in the simplest and plainest terms, how--in their mouths--the governance and movement of that ponderous machine made up of a hundred thousand parts sounds no more complicated than if they were discussing their own person, so that the whole immense act of war is individualized into a sort of one-on-one combat; when, in this process, the motives of their action are reported now through a few simple ideas, now through some stirring of the soul; when we see the easy, confident, one might even say casual way in which they regard the whole matter--and then, on the other hand, when we see the number of circumstances that are suggested to the inquiring intellect, the vast, often limitless horizons toward which the individual threads lead, and the huge number of combinations that lie before us, and in so doing when we think of the obligation of theory to present these things with clarity and thoroughness, and always to lead each action back to a necessary and adequate cause, we are overcome by the fear of being dragged down by some irresistible force to the level of pedantry, to crawl around in the depths of combersome concepts where we will never encounter the great commander, with his straightforward viewpoint."
--Clausewitz, On Strategy

Posted by: Chris at April 22, 2006 9:03 PM

Chris,

bitchen' sweet, dude-thanks. I spent a good part of this weekend reading Mao quotes. Nothing counter-revolutionary going on over here. uh-uh, oh no. That quote is def' un-Mao in structure. Wonderful.

Posted by: caroline at April 24, 2006 11:43 AM

mat,

matt mat matttt mat mat mattttttt mat mat !

**So** worth it to take those four hours to teach you that. shit, babe, shit--gotta stop breaking my little polish heart. xoxoxo

Posted by: caroline at April 24, 2006 11:48 AM

ED:

oh YES to that. Modern Marriage (M.M) is EXACTLY like two people who broke up three months ago and have to continue to live together for another week. ;)

I'm really hard pressed to find any variation on theme here.

Posted by: caroline at April 24, 2006 1:43 PM

Joy,

hey: thank you. so much. I actually really needed to hear that at this juncture. means the world coming from you.

Posted by: caroline at April 24, 2006 1:45 PM