February 6, 2006

this is ground control

I remember being in Vancouver this fall to see m.i.a. One night while there I was coming off mushrooms that matt had bought off the street after the show. It was bedtime and I was on a couch, a blanket over me, an ashtray on the table to my right. There was a record player behind my head, under the window that faced the street. I don't know how many times I moved the needle back, and back, and back again to the same place, listening to that one side of changes one bowie. I didn't do much about volume. The whole house space oddity for hours. I didn't fall asleep until it was seven in the morning and overcast. I don't sleep when I'm left to myself. I was thinking of this today. Me and Xavier high on shrooms and playing with masks in an empty house. we found them hanging from the rafters, though most were in plastic bags at our feet. doubling over from our compositions, laughter a half noise through masks. distance, distance, thank you for calling home, home: you see--loose phrase when you're re-phrasing, but i'm not thinking of words right now. caroland: who could argue with your definition of me, the land between. still i dreamt last night that everyone was writing about me, deepsea dive, streams of breath through currents. i am as vulnerable as you make me out to be: my mother phones and phones this morning to ask what the weather has or has not done to me--was there a branch that fell on my head? was i knocked out? two of my cousins in poland are getting married this spring. am i trying to write about space or system here? these past few days i've been trying to figure out what comes from what. all i can come up with are loops, feeding. they want me to write poems. they want me to rearrange the elements. it's like i'm spending my life configuring the micro, but my perspective is so spanning--they're implying you can't have one without the other, they're implying that i want what everyone else wants, and this is true: i think all those equations are at the heart of my frustration, zeroed in and sung to sleep.

i'm the kind of person that when you catch me alone, i'm a dustbowl--i'll tell you anything, my face will melt quoting, no matter who you are. that's why i write. that's why writing comes naturally to me--it's because i always want to be truthful and i know i'm as deeply flawed as anyone i interact with. you come at me from any angle and i'm confessional, candid as all that love when setting is important enough to say you will keep this memory like a burning house surrounded by statistics, like an aftermath.

Posted by caroline at February 6, 2006 3:21 AM
Comments

I'll attest to that. I have vivid memories of the few conversations we've shared. Strange - I worry about being cool.

Glad to hear of another Space Oddity devotee. Fred and I sing that song occasionally, harmony and all. I wish I had a turntable and either that or Station to Station.

Posted by: Chris at February 7, 2006 7:38 AM

After pissing,

MB: I'm a big fan of your work

M.I.A.: Well I'm a big fan of your work

MB: You don't know my work

M.I.A.: You don't know my work.

(Mathew posting under Xaviers info because of LAZY)

Posted by: Xavier at February 7, 2006 1:14 PM

this afternoon, i gave a presentation on *daphne marlatt* in a class that was taught by *jan zwicky* for the day. that factual combination makes your comment so hyper relevant to my life that i'm going to do nothing but go and pass out now. thanks a lot.

ps,

brilliant.
&,
miss you too.
xoxox

Posted by: caroline at February 7, 2006 2:37 PM

pps,

i love my new mac in a way only you could truly understand. :)

ha
HA.

ummm.

Posted by: caroline at February 7, 2006 2:40 PM

chris,

yeah, well, i wish i had a pile of coke and a recording studio. rah rah rah.

Posted by: caroline at February 8, 2006 3:49 PM

love that photo

Posted by: MEL at February 10, 2006 8:25 PM

number's on yr. lj.

Posted by: caroline at February 11, 2006 1:32 PM